Wednesday, March 26, 2008

Luscombe sketch

Luscombe sketch
Charcoal on newsprint
The Luscombe Silvaire was a popular light plane in the decade following WWII.

Tuesday, March 25, 2008

Head sketch 3-25-08

Head sketch 3-25-08
Charcoal on newsprint

Sunday, March 23, 2008

Head sketch after Loomis 3-23-08


Head sketch after Loomis 3-23-08
Charcoal on newsprint

Friday, March 21, 2008

Head quick sketches

Head quick sketches
Charcoal on newsprint
These very small heads were done with a time limit. I don't remember, but they were probably two minutes each. The main purpose of a quick sketch is to practice making starts -- to go from blank paper to a decent start. The start of a drawing is the most critical part, where the main dimensions are established. After that, you are working with smaller shapes, and they are easier to position because you already have major reference points. Another purpose for quick sketches is to practice a particular "spacing and placing" technique, such as vertical and horizontal alignments. You want to improve the accuracy of your drawings and also develop fluency. Fluency (as in language) is the ability to see shape relationships easily and place them on paper or canvas without struggle. It's a product of mileage (volume - practice - experience).

The main problem I have with quick sketches is my tendency to want to speed up and get as much done as possible. So I often get sloppy. It's better to do less and do it more accurately. You develop more skill that way. Perfect practice...





Thursday, March 20, 2008

Head sketch 3-20-08

Head sketch after Loomis 3-20-08
Charcoal on newsprint
I often draw heads and figures on the same page on my sketch pads (and sometimes airplanes and basic forms - cubes, cylinders, and spheres), so they have an eclectic appearance. "Eclectic" sounds better than "unorganized". I decided not to crop out the figure quick sketch on the right.

Tuesday, March 18, 2008

Head sketch 3-18-08

Head sketch 3-18-08
Charcoal on newsprint

Monday, March 17, 2008

Head sketch 3-17-08

Head sketch 3-17-08
Charcoal on newsprint

Sunday, March 16, 2008

Head sketch 3-16-08

Head sketch 3-16-08
Charcoal on newsprint

Saturday, March 15, 2008

Head sketch 3-15-08



Head sketch 3-15-08

Charcoal on newsprint

Friday, March 14, 2008

Head sketch 3-14-08

Head sketch 3-14-08 after Loomis
Charcoal on newsprint

Thursday, March 13, 2008

Head study after Loomis 3-13-08

Head study after Loomis 3-13-08
Charcoal on newsprint

Wednesday, March 12, 2008

Study of an eye

Study of an eye
Charcoal on newsprint


Tuesday, March 11, 2008

Head sketch 3-11-08


Head sketch 3-11-08
Charcoal on newsprint

Monday, March 10, 2008

Head study 3-10-08

Head study 3-10-08
Charcoal on newsprint
After Fred Fixler

Sunday, March 9, 2008

Head study 3-9-08

Head study after Fred Fixler
Charcoal on newsprint

Who is Fred Fixler?
A retired illustrator, classically trained in the late 1940's at the Art Students' League in New York City. He founded the Brandes art school in Los Angeles in the 1980's. A great artist. The school's name was later changed to California Art Institute, and it is located in Westlake Village (www.calartinst.com). I studied under one of Fred's students, Glen Orbik, who has been teaching at CAI for more than twelve years. (Take a look at Glen's website -- www.orbikart.com) This drawing is a copy of one of Fred's drawings; a study exercise.

Saturday, March 8, 2008

Head study 3-8-08


Head study 3-8-08
Charcoal on newsprint

Tuesday, March 4, 2008

Reference photo


Reference photo

We wanted to improve on the photo by adding a few things: color in the sky, a pool of water instead of a plain courtyard, a walkway across the pool, a planter with palm plant on the far side of the courtyard, and curtains in the window behind the plant. Stay tuned to see the final painting.

Monday, March 3, 2008

Painting in progress -- study

Painting in progress -- study
Oil on Linen
Approximately 10.5 X 12.5 inches

This is a study in preparation for a finished painting (my current project). It is actually a finished section taken out of the middle of the picture, and allows me to study and problem-solve, at the actual size of the final painting rather than a smaller sketch. I don't always take this step, but sometimes it's the best way to go, if I'm testing ideas. I'll post the photo I'm using for my reference tomorrow.








Sunday, March 2, 2008

Painting in progress 3-2-08

Painting in progress -- sketch 3-2-08
Oil on illustration board
8 X 12 inches

This is a sketch for a commissioned painting I'm working on.

Painting in progress 3-2-08
Oil on linen
16 X 24 inches

This is the canvas in its current state.





Head study 3-2-08 A.M.


Head study after Loomis 3-2-08 A.M.
Charcoal on newsprint