Pear and Grapes: Better Photo

Oil on panel, 4 x 5 inches

This photo was shot in direct sunlight. There is quite a difference in color between this and the first photo I posted of this painting.

Sold.

White Vase

White Vase
2 1/2" x 3 1/2"

Sold.

Here is some information about my work and myself.

Anonymous left a comment regarding the painting,"Creme de Menthe", and asked for information about me and about purchasing paintings.

My painting background goes back to 1991 as a student taking classes at California Art Institute in Calabassas, California. (The school relocated to Westlake Village, California in 1993.) The classes were focused on drawing and painting the human figure, and there was an emphasis on drawing for illustration. Before beginning these classes, I had been drawing for many years. I freelanced as an illustrator for several years, beginning in 1995. Most of the illustration was for Teacher Created Materials, a schoolbook publisher in Southern California.

I am not represented by any galleries, and do not have any shows scheduled. This blog and my website are my only venues for showing my work. You can see my website, Bruce Hedges Fine Art, by clicking on the link at the top of this page, on the right side.

All of the paintings shown are available for sale except those marked "Sold", or "Private Collection". Not all paintings shown have prices indicated, but they will soon. If you are interested in purchasing a painting, please email me at brucehedges3@aol.com

Lavender Blossoms

Lavender Blossoms, by Bruce Hedges

A Micro-Mini

2 1/2 x 3 1/2 inches

Oil on panel

There are beautiful trees lining many streets in this area. They have lavender-colored blossoms in May, and I've always called them Lavender Trees, but the correct name is Jacaranda Trees.

This tiny painting shows the blossoms close up.

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White Cup

White Cup, by Bruce Hedges

Oil on canvas 16 x 20 inches

Not a daily painting. I'd better paint faster, because I'm about to run out of larger paintings. This was my first still life (not my first painting), painted in 2001. The white cup is the focal point, of course, because it's the lightest spot in a dark painting. Someone once commented that it's the wrong kind of glass for wine. True. In a still life, at least my still lifes, the shapes and colors are more important than the practical relationships of the elements. (Lemons and leafy twigs don't go with wine either.) I enjoyed painting this piece very much.

Silver and Red Still Life

Silver and Red Still Life, by Bruce Hedges

Oil on Canvas 16 x 20 inches

I couldn't resist the beautiful red fruits, vegetables, and fabric -- and then the silver, with its complex reflections. This painting was done several years ago, at a time when I was doing a lot of painting every day. I had never heard of a blog.

One reason I like still lifes is that the artist can arrange shapes and colors to suit his design idea, rather than just painting whatever happens to be in front of him. (Yes, those are maraschino cherries.) I've always liked this painting.

Ondo Dancer (red)

Ondo Dancer (red), by Bruce Hedges

Oil on panel 12 1/2 by 6 1/2 inches

Here is the third piece in "Ondo Taiko Ondo". You can see the color relationships in the three paintings, in the overall color feeling. They are designed to hang together, and form a unit. I really enjoyed painting them, and plan to start a website, an online gallery, showing these and other larger paintings, in the future.

While these paintings are not large, they are larger and more time consuming than the small paintings I've shown so far. I hope you enjoy them.

Thanks to all who have made encouraging comments.

Taiko Drummer

Taiko Drummer, by Bruce Hedges

Oil on panel 12 1/2 by 17 inches

This is part two of "Ondo Taiko Ondo", a three-panel set. I don't call it a triptych -- a triptych is three panels that are attached and usually hinged. These are separate, but definitely related in theme and color family. The drummer's clothing is the style common to the 1850's. The setting is abbreviated -- only a rough stone pavement and a bamboo wall. I wanted to keep the focus on the performers (and in this painting, the drum), by keeping the environment simple and the background abstract. The drum really is the the star of the show in this piece.

Ondo Dancer (blue)

Ondo Dancer (blue), by Bruce Hedges

Oil on panel 12 1/2 by 6 1/2 inches

This is not a daily painting. It's part of a three-painting set that was painted before the blog was started. The painting was inspired by watching modern performers. The costume shown is patterned after kimono styles of the 1850's. The three-painting set is titled "Ondo Taiko Ondo", and shows two Ondo dancers and a Taiko drummer. I will show the other two in the next couple of days.

White Roses

Oil on panel 4 x 5 inches

Sold.